Here we see four of the 10 colourways that Perry has conjured with this elite British brand (only £1,800 a pop). The artist's first major solo exhibition (19 October 2018-3 February 2019) in France is divided into ten themed chapters that look at universal topics such as identity, gender, class, religion and sexuality. Victoria Miro first opened her gallery in Cork Street in 1985 and relocated to a former factory situated between Hoxton and Islington in 2000. By and large, my greatest objection to the exhibition was the curation itself. Copyright © 1893–2021 Studio International Foundation. In the manner of the classic Afghan rug on which it was apparently based, this scene is bordered by a variety of homes, from opulent villas to cosy cottages; all the better to emphasise the homeless man’s depleted state. Photo: Veronica Simpson. It’s expressing yourself and doing something, and throwing yourself into it and getting better at it and trying again. Glazed ceramic. A more contemporary snapper – of society in all its richness and diversity – is also included in the show: Martin Parr, a friend of Perry’s. 'They did, as I predicted, end up looking quite the same,' Perry said. Grayson Perry, Rosetta Vase by jacquemart ... Grayson Perry and the gallery owner Victoria Miro, photographed by Miles Aldridge for Art Review. Victoria Miro Gallery, London. Yale Center for British Art, New Haven, CT. Grayson Perry: The Most Popular Art Exhibition Ever! On show for the first time outside of London, the exhibition (27 September – 24 December 2017) tackles one of the artist's primary concerns: how contemporary art can best address a diverse cross section of society. This show looks at how contemporary artists are influenced by the past as they seek to represent their present, and questions the nature of what a portrait depicts, Drawing as the catalyst for contemporary printmaking in the UK The exhibition is available to view virtually on Vortic Collect until 18 December 2020. For his first solo exhibition at the gallery since 2012 – and first exhibition at Victoria Miro Mayfair – Grayson Perry presents new work including pots, sculpture, large-scale prints, a... As his latest show opens at Victoria Miro in Mayfair, the artist tells Vogue about satirising the art-buying habits of wealthy collectors, his alter ego Claire's evolving style, and "biting the hand that feeds him" with his tongue-in-cheek pottery. The handbag flap is secured by a gold-plated Alan Measles teddy, clearly in a state of high arousal. Work by the artist is held in museum collections worldwide, including The British Museum, London; Tate Collection, London; Bonnefanten Museum, Maastricht; Museum of Modern Art, New York; National Gallery of Victoria, Melbourne; Stedelijk Museum; Amsterdam; Victoria & Albert Museum, London and Yale Center for British Art, New Haven among many others. Grayson Perry is known for approaching his work with an anthropological eye. COURTESY THE ARTIST AND VICTORIA MIRO. An exhibition (18 November 2017 – 18 February 2018) of tapestries, woodcuts, ceramics and tiles designed by Perry for A House for Essex. A small display (23 February – 3 June 2018) of photographs and spreads from one of Perry's early photo albums. You will find links at the bottom of all emails we send from our mailing list which allow you to Update your preferences to change the way we contact you, or Unsubscribe if you want to opt out. It would be hard to get any clearer than the yoga mat that adorns the back wall of the gallery. In the special talk (Wednesday 21 November 2018; sold out) the artist discusses his life, career and current exhibition Vanité, Identité, Sexualité at La Monnaie de Paris (until 3 February 2019). And I’ve been waiting for the right opportunity to come along.” The ones he has chosen here show rich people at play, which he has plastered over a classic ceramic vase turned into a lamp. It is plastered with old press photos of “society ladies” from the 1970s and 80s, taken by society snapper Richard Young. Perry's lecture (15 November 2017, 6.30pm) is an artist’s view on our emotions around politics and identity. Bubble captions erupt across this ethnographic map, each articulating pithy London-ish tropes that chime with the postcode, such as “gig economy”, “interns”, “ethically sourced”, or “high net worth individuals”. (It is something he had previously avoided making, he says, because: “It’s one of the sacrileges of the ceramics world: interior decorators making pots into lamps.”) He has called it Money on Holiday (2019). That’s what it’s about. -- Published to accompany the exhibition held at Victoria Miro Gallery, London, 14 October - 13 November 2004. However, the exhibition is available to view via the App Store on Vortic Collect until 18 December 2020. Hence the overtly, voluptuously African form, wide of girth and skinny of neck, managing to convey a rich mixture of authentic tribal sculpture and buxom, self-important matron, her wing-tipped spectacles perched on her nose, bohemian beads wrapped around her neck. Grayson Perry talks to Vogue ahead of his exhibition Super Rich Interior Decoration As his latest show opens at Victoria Miro in Mayfair, the artist tells Vogue about satirising the art-buying habits of wealthy collectors, his alter ego Claire's evolving style, and "biting the … Based on an original idea by Bernard-Henri Lévy, this unprecedented initiative will take place in London on May 21-23 and June 3 2019, to coincide with the European elections. All general enquiries should be sent to info@victoria-miro.com. Politics, consumerism, history and art history are bound up in the work, in both subject and medium. Each episode of Art Club will be themed, and Grayson is asking members of the public to send in artwork responding to each theme. The artist talks to Nick Curtis in an interview featuring new portraits shot by Martin Parr. Just as an apparently benign or conservative medium such as ceramics is used to convey challenging ideas, Perry's tapestries take an art form traditionally associated with grand houses - depicting classical myths, historical and religious scenes and epic battles - and play with the idea of using this ancient allegorical art to elevate the commonplace dramas of modern British life. It’s bollocks. Pots are his bestselling items, he reveals to us later. Not a bit of it. Victoria Miro is the quiet woman of British art: visionary but not in the grandstanding way of some of her more famous counterparts. Are these images or topics given extra weight by being slapped on an expensive, arty pot? A new work by the painter will feature in Victoria Miro’s online exhibition as part of the Reprieve Collective on Vortic Collect, which launches 10 December to mark Human Rights Day. Inspired by Hogarth’s morality tale, A Rake’s Progress, Perry’s tapestries (on display 31 March – 24 June 2018) follow the socially-mobile life of fictional character Tim Rakewell from infancy to untimely death. You can just make out a drab little puddle of “social mobility” being dispersed under its fat back wheel. It has this amazing ability to go under the radar and it goes down little pathways which are un-trodden and yet it's still a very legitimate way of thinking and feeling and getting on with your life.'. Grayson Perry was born and grew up in rural Essex. The title Studio International is the property of the Studio International Foundation and, together with the content, are bound by copyright. © Grayson Perry. Published by Thames & Hudson, this updated and expanded third edition of the definitive book on the artist launches 21 May 2020. Another, Searching for Authenticity (2019), is emblazoned with the items of clothing that once symbolised a rejection of the status quo (leather jackets, beards, CND banners) but that are now worn to signal aspirational lifestyle choices, however transitory; rebel for a day. Here the target isn’t just the super rich. Celebrating the power of contemporary drawing, this display at the British Museum (12 September 2019–12 January 2020) explores how artists have used the medium to examine themes including identity, place and memory. Courtesy the artist and Victoria Miro, London/Venice. Courtesy of Grayson Perry and Victoria Miro. It seeks to affirm artists’ devotion to European ideals, values and culture, and to benefit European cultural initiatives. Major institutional exhibitions in 2020 include The Pre-Therapy Years at The Holburne Museum, Bath, UK, the first exhibition to survey works made by the artist between 1982 and 1994, travelling to York City Art Gallery and Sainsbury Centre for Visual Art, Norwich, UK (2020-2021). Grayson Perry talks about his work and his current Serpentine Galleries exhibition, The Most Popular Art Exhibition Ever! The artist’s first exhibition with the gallery will be held in summer 2021. The forms of the pots may be traditional, but Perry resolutely distances himself... Anne Chu, Hiroko Nakao, Jacco Olivier, Grayson Perry, Tal R, Adriana Varejão This exhibition features six artists from Asia, the Americas and Europe whose work extends the possibility of painting beyond the canvas. Charlotte Hodes: interview A Crafts Council touring exhibition (5 May – 28 July 2018) of two large-scale tapestries. He has given the BBC Reith lectures, fronted TV documentaries about taste – investigating, with irreverence and glee, every aspect of how class-conscious Brits declare their aspirations to belong to a specific tribe by how they dress, live and shop – as well as more poignant reflections on masculinity. Jenny Uglow, The New York Review of Books. Some of Claire’s best-known outfits are featured in this display (4 November 2017 – 4 February 2018), including the Bo Peep dress worn when Perry was awarded the Turner Prize in 2003. In his work, Perry tackles subjects that are universally human: identity, gender, social status, sexuality, religion. The Charms of Lincolnshire allows Perry the possibility to think and create work about the countryside.... Grayson Perry creates seductively beautiful pots to convey challenging themes: at the heart of his practice is a passionate desire to comment on deep flaws within society. Perry admits: “There is a kind of tension in this show, in that I’m taking the piss out of the people who buy my art, but also benefiting greatly from their largesse.” He draws our attention to one of the most vicious works, a piece called Sponsored by You (2019), saying: “Here’s Alan Measles (Perry’s childhood teddy bear) and Claire (his alter ego) driving through Silicon Valley.” Fuelled by “pure greed” (the words written across the engine), the bodywork of this sporty little, acid-green number is emblazoned with global tax havens, displayed as sponsors (Macau, Jersey, Luxembourg, Panama). 25 September - 20 December 2019 © Grayson Perry. Covered with sgraffito drawings, handwritten and stencilled texts, photographic transfers and rich glazes, Perry's detailed pots are deeply alluring. Born in Chelmsford, Essex in 1960, Grayson Perry lives and works in London. This is a complete contrast to the spectacular frocks, fuchsia or lemon-yellow wigs and carnival makeup he favours when appearing as his alter-ego Claire, in whose guise he accepted the Turner Prize in 2003 – the first self-proclaimed “potter” to do so. We look at how printmaking has influenced the work of Arthur Watson, Paul Coldwell, Christopher Le Brun, Charlotte Hodes and Grayson Perry. New York, NY 10021-0043, USA, curated last year’s Royal Academy summer show, Grayson Perry: Super Rich Interior Decoration, About The artist’s A House for Essex, a permanent building designed in collaboration with FAT Architecture, was constructed in the North Essex countryside in 2015. The Praemium Erasmianum Foundation has announced that Grayson Perry is the recipient of the Erasmus Prize 2020. Profound things can be hilarious.” He muses over the fact that “people are scared of humour. Grayson Perry, Large Expensive Abstract Painting, 2019 (detail). Victoria Miro Gallery, 2004 - Ceramic sculpture - 48 pages 0 Reviews Every inch of Grayson's childhood bedroom was covered with pictures of aeroplanes, and every surface with models. All rights reserved. Perry delivered The Reith Lectures, BBC Radio 4’s annual flagship talk series, in 2013; his ensuing book Playing to the Gallery is published by Penguin. His favourite work in Grayson Perry: Super Rich Interior Decoration is a sumptuously coloured carpet that occupies the floor of the smallest gallery. opens at Arnolfini, Bristol, on 27 September 2017. Photo: Veronica Simpson. Not really. “I’m fascinated by who would put this in their house,” he says. This exhibition is available to view virtually on Vortic Collect until 18 December 2020. With these six enormous tapestries Grayson Perry – the country’s most loved transvestite potter – takes on class. In The Grammar of Ornament: New Paper Cuts and Ceramics, artist Charlotte Hodes takes as her cue the seminal 19th-century publication The Grammar of Ornament (1856), by the architect and designer Owen Jones,1 to investigate the relationship between the female form in painting and the decorative arts. On Thursday 20 Jul 2017, 3.30 - 4.30pm, in the Serpentine Pavilion, Grayson Perry will be signing copies of the catalogue for his current Serpentine Galleries exhibition. If I can make my statement more obscure and impenetrable than the last person, I’m more serious than the next person. !” That’s Perry in a nutshell – trampling with great bravado over our social faultlines, and in so doing, exposing the myriad connections between horror and humour, vulgarity and sophistication. “I don’t say I’m standing outside it. And does he pussyfoot around his usual topics (the UK’s ever-widening social and economic divide, or our quest for meaning and identity) or targets (the rich, the privileged and the narcissistic)? Vote Tory, 2019. Art collectors want a typical piece. The exhibition (12 June–19 August 2018) also features work by Chantal Joffe, Isaac Julien, Idris Khan, Tal R and Conrad Shawcross. 'It’s clever, knowing and deeply touching.'. This exhibition brings together ceramic works by four artists who, through a diversity of approaches, explore the possibilities of the medium: its fluidity, in spite of an undeniable physicality, in relation to genres such as painting and sculpture, and equally... Victoria Miro is delighted to announce its fourth solo exhibition with Grayson Perry. Recent exhibitions, commissions, publications and press, Head of Directors' Office, Client and Business Development, Sales Executive & Assistant to Matt Carey-Williams, Sales Team Coordinator & Sales Administrator, Director of Exhibitions - Head of Department, Photography, Rights and Reproduction Manager, Library Coordinator and Archive Assistant, Join Grayson Perry and critic Louisa Buck for a live online tour of Grayson Perry: The MOST Specialest Relationship. Studio. I’ve been at a couple of events recently where people get their reusable water bottle out and bang it on the table and they’ve got their tote bag with their yoga mat sticking out of it … It’s that Gwyneth Paltrow world.”. He even curated last year’s Royal Academy summer show. Victoria Miro, Mayfair, London 25 September – 20 December 2019. Glazed ceramic 71 x 36 x 36cm Perry’s most recent series, Rites of Passage, in which he helps people to tailor ceremonies that are appropriate to their personal situations, was first broadcast by Channel 4 in 2018. Grayson Perry: Super Rich Interior Decoration. A collaboration with Yale Center for British Art, where it was first displayed, the exhibition (20 March – 17 June 2018) traces the changing nature of British studio pottery through the evolution of specific types of vessel. Grayson Perry: Super Rich Interior Decoration at Victoria Miro Mayfair. Grayson Perry, Don't Look Down, 2019. All in the Best Possible Taste, C4, June 12, 10pm. These ground-breaking ‘lost’ pots have been reunited for the first time to focus on the formative years of one of Britain’s most recognisable artists. In the red and blasted wasteland they are driving through, one significant piece of architecture is discernible – Norman Foster’s circular Apple HQ, which Perry dubs: “the world’s biggest tax avoider”. “He’s always said you can use my photographs in your work if you like. Autobiographical references – to the artist’s childhood, his family and his transvestism – can be read in tandem with questions about décor and decorum, class and taste, and the status of the artist versus that of the artisan. The exhibition (5 July 2019–8 March 2020) is a celebration of maps and what they tell us about the places they depict and the people that make and use them. Grayson Perry: Super Rich Interior Decoration at Victoria Miro Mayfair. Traditional Society, 2019. Perry admits: “There is a kind of tension in this show, in that I’m taking the piss out of the people who buy my … He tells the assembled journalists: “Us liberal elite like to point and say: ‘Look at those super-rich people.’ There’s a much more powerful dynamic going on in society: the top 20% of well-educated, metropolitan, media-savvy, stylish people (in which group he assures us we are included) … have got the best of the country. The form and material are fairly irrelevant. The exhibition (14 September – 3 December 2017) tells the story of studio pottery in Britain, from the early twentieth century to the present. The series All Man, which considered masculinity, followed in 2016, with Allen Lane publishing the related book The Descent of Man. Grayson Perry: Julie Cope’s Grand Tour review — weaving a tale with wit and ingenuity ... Julie Cope’s Grand Tour: The Story of a Life, by Grayson Perry. © Grayson Perry. The real joke is that this is a real, limited-edition yoga mat, which can be purchased from the gallery (for £95) just as the limited-edition Osprey handbags can be. 'Sketch books are the most talismanic objects in my artistic life. The background is a collaged pattern of different types of carpets – of the kind you would expect to find in the relevant neighbourhoods according to their aspirations or tastes. He is also this year’s winner of the Art Fund Prize, announced at the 2010 Collect Design Fair held at the Saatchi Gallery on 14 May 2010. Courtesy the artist and Victoria Miro, London/Venice. Perry is poking fun at the “virtue signalling” of the affluent elite. Kiasma Museum of Contemporary Art, Helsinki. Grayson Perry, Traditional Society, 2019. So this show is about money and power, but also desire, a theme explored, with varying degrees of rancour, on several large new pots. American artist Anne Chu uses a variety... Before contacting or subscribing please read our, Christian Holstad, Grayson Perry, Tal R, Betty Woodman. P rofessional provocateur Grayson Perry is back with a new exhibition this autumn, and with the title Super Rich Interior Decoration it's naturally of particular interest to us. It depicts a homeless man, sprawled halfway out of his sleeping bag, his cup of coins spilling on to the pavement, while the detritus of his life is spread out around him: a skeletally thin dog, used bottles and cans and fast-food containers and wrappers. The Vanity of Small Differences, Perry’s monumental suite of tapestries exploring the subject of taste in contemporary Britain, was first shown at Victoria Miro, London, in 2012 and was acquired by The Arts Council Collection and British Council and has subsequently toured throughout the UK and Europe. Here sprawls a “beauty blogger” (her job title tattooed on her forehead), with impeccably groomed eyebrows and cheeks plumped with Botox. 'I want people to acknowledge that we're complicated,' the artist tells Christiane Amanpour as they tour Super Rich Interior Decoration at VM Mayfair. Having decided to squarely and satirically target the rich, Perry “spent a morning going through Google looking at lots of rich people’s houses, what they looked like, and I noticed that quite often in the main room they always had a big abstract painting, like a statement thing”. Born in Chelmsford, Essex in 1960, Grayson Perry lives and works in London. The exhibition (now extended until 3 January 2021) is the first to survey works made by the artist between 1982 and 1994. Unfortunately, the front room was heavily saturated with Perry’s pots and the large tapestry; creating a maze-like configuration which was at … Victoria Miro does not accept unsolicited artist applications. We like to point and sneer, but,” he says, his voice dropping to a whisper: “We’re part of the problem.”. He uses a highly traditional method to depict a hyper-modern world, exploring how upbringing can effect our sense of taste. ARCHITECTURE + CERAMICS = SCULPTURE Nicholas Rena’s monumental, eloquent ceramics are exhibited alongside the painting of Matthew Smith at Marsden Woo Gallery in London. The exhibition (25 July–2 November 2019), which is the final stop of Julie Cope’s Grand Tour, includes the complete series of tapestries and a selection of artefacts from A House for Essex. From hipster co-working techies in Shoreditch to do-gooding vegans in Deptford, no one gets off scot-free. One of the main currencies in the art world is seriousness. He has even gone against the stereotype of the lefty activist artist to create a Vote Tory vase, emblazoned with the gurning faces of assorted current Conservative party members, peppered with pretty flowers and great, Ralph Steadman-ish sprawling red letters, which drip – presumably - with the blood of the crushed underclasses. The making of these works was chronicled in the first of Perry’s Channel 4 television series, All In the Best Possible Taste, a 2013 Bafta Specialist Factual winner. Living and working in London the artist's practice has largely dealt with metropolitan themes. Before contacting or subscribing please read our Privacy Policy. Other solo exhibitions include the Musée d’Art Moderne Grand-Duc Jean, Luxembourg (2008); 21st Century Museum of Contemporary Art, Kanazawa, Japan (2007); Andy Warhol Museum, Pittsburgh (2006); Barbican Art Gallery, London (2002) and Stedelijk Museum, Amsterdam (2002). In the intervening years, Perry has become an unlikely, pot-throwing, cross-dressing national treasure. In the Royal Academy of Arts's 250th year, Grayson Perry RA takes the helm to coordinate the world’s longest running and largest open-submission show: the Summer Exhibition (12 June - 19 August 2018). Institutional venues for other recent national and international solo exhibitions include Vanité, Identité, Sexualité, Monnaie de Paris (2019); The Most Popular Art Exhibition Ever!, a major presentation of his work, which was on view at Serpentine Galleries, London, during the summer of 2017, travelling subsequently to Arnolfini, Bristol; ARoS Aarhus Art Museum, Aarhus (2016); Bonnefantenmuseum, Maastricht (2016); Museum of Contemporary Art, Sydney (2015 – 2016) and Turner Contemporary, Margate (2015). For his first solo exhibition at the gallery since 2012 – and first exhibition at Victoria Miro Mayfair – Grayson Perry presents new work including pots, sculpture, large-scale prints, a tapestry and a carpet. The gallery's roster includes 40 artists, among them Turner Prize winners Chris Ofili and Grayson Perry, as well as Turner Prize nominees Peter Doig, Ian Hamilton Finlay and Isaac Julien. 'Art is a process. 25 September - 20 December 2019. Yet, for Perry, emotional investment - making work about the things we care about - is key. The exhibition (16 June–7 October 2018) engages with themes of communication, breakdown of communication, and isolation. The Sunday Times on Grayson Perry's forthcoming three-part documentary series and upcoming exhibition at Victoria Miro which opens on 15 September. Pots sell really well. “It’s kind of a dare.”. “When he saw my lemon-yellow room, he said: ‘Ooh, yeah, I see what you’ve done: interior decoration.” I’ll always roll with the punches when it comes to snarky people. On Vortic Collect until 18 December 2020 and crystal 57 x 33.5 cm 22 1/2 x 1/4... Third edition of the one per cent, I ’ m part of the Turner... - is key how you would like to hear from us. ' Cambridge! Announced that grayson Perry 's forthcoming three-part documentary series and upcoming exhibition at Miro... And the gallery will be held in summer 2021 his bestselling items, has... 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